IMPORTANT: The models in this video, like most of The Last Laugh's models, speak FRENCH, or at least its quaint Quebecois dialect. 

Monica and Laora also star in the first segment of Last Laugh Feet 15
. Laora has Monica right where she wants her: restrained on her back, ankles locked in stocks and wrists tied over her head. Not a very creative position, I admit, but it does the job just fine. Laora dives right in, getting Monica on the upper body. To be fair, she doesn't have a lot of experience as a tickler. She moves her hands around too often at first, like she's not quite sure what's the best approach. But it doesn't matter that much, as Monica is more than ticklish enough to compensate, quickly losing control. Besides, Laora does improve after a while. The first four minutes are spent on the ribs and waist. Then, after a change of clothes, Monica is back in the same position, ready to suffer through a few minutes of armpit tickling. She occasionally sounds like she's trying to say something, but if that's actually the case, it just comes out as incomprehensible gibberish. When I show Monica her own image by flipping the LCD screen towards her, she says that her face is tomato red. In the end, when it appears to be over and Monica is pretending to sleep and snore, Laora launches a treacherous attack, taking her totally by surprise. After things calm down, Laora does it again, though I suspect that Monica kinda saw it coming this time.  The tables are turned. Laora finds herself in the exact same situation as Monica before her. Monica is also rather new to the art of tickling, but what she lacks in elegance of technique she more than makes up for with her desire for payback. After a few clumsy tries she quickly finds out what makes Laora tick. If anything, Laora may be a little more ticklish than Monica. At least that's what her laughter suggests. While Monica does some work on the ribs and sides, she spends most of the time on Laora's armpits, which seem to be the most sensitive areas on her upper body. 

After a few minutes I add a couple of cuffs to Laora's elbows to help expose her face a little more, as it tends to be partially hidden by her arms. Later I also add a small towel under her head, as it occurs to me that her black hair doesn't show enough against the color of he table. Of course, neither of these minor issues has any impact on her ticklishness or her laughter. 

We've flipped a heavy round table upside down. It has one thick central leg with four horizontal feet. Monica is kneeling in front of the leg, her arms retrained in her back over the table's feet. This leaves her ribs and waist vulnerable, and her armpits are also partially accessible. Laora is very successful in getting excellent reactions from Monica. 

After a few minutes I ask Laora is she can sit on top of the table's leg, from where she can reach Monica's armpits. I personally like the visual effect very much. It's not a very comfortable or stable position for Laora, though, and her arms aren't quite long enough to reach as far down as she's like. So she only keeps this position for a little less than a minute.

Once back at floor level, Laora wraps her legs around Monica. She's now even more in control than before, if that's even possible. In the end, Monica appears to be getting tired (though she's still giggling), but Laora finds a really tender spot, forcing a final bout of laughter out of her friend. 

Some may enjoy the fact that some of Laora's positions expose her bare feet. Monica is also barefoot, but her feet are hidden due to her position. One may notice that Laora looks to the side from time to time. That's because her boyfriend is sitting in the corner, discreetly enjoying the shoot. She actually called to him for help in the previous scene, but he didn't feel it was a good enough reason to interrupt the action. It's good to see a man who appreciates and respects the arts. 

After all that upper body fun, it's finally time for some foot tickling. Once again, the upside down table allows for a interesting position that I've never tried before (it's really too bad I had to sell it not long after the shoot). Laora is lying on her back with her wrists cuffed around the table's thick central leg. Her ankles are cuffed to the table's feet, so that her knees are kept close to her torso and her soles are facing the ceiling. This doesn't provide perfect immobilization of the ankles, so Laora's can move her feet a bit due to some slack in the bondage job. However, it's easy for Monica to hold her feet still. Also, big toe bondage is soon added to further limit Laora's struggling.

Monica begins by scratching at Laora's soles with a guitar pick she's wearing on her finger. She also experiments with a comb and the pointy end of a feather. But it turns out that her own fingertips are the best to use on Laora's feet. She occasionally reaches down to poke her waist, but she sticks to foot tickling most of the time. About halfway through the scene, a cushion is placed on top of the table so that Monica can be even more comfortable while she has fun making Laora's feet, well, less comfortable. 

Poor Monica finds herself is yet another helpless situation. I've brought back the small weight bench I introduced in Last Laugh Vav. Monica lies face down on it. I've adjusted the bench so that her upper body is slightly more elevated than her lower body. Her wrists are cuffed to both ends of a rod I've attached to the head end of the bench. Her ankles are restrained in a way that leaves them hanging at  the end of the bench, her knees bent so that her soles face the ceiling. It looks a bit like she's suspended from all four extremities, even though her entire weight rests on the bench. 

Laora and myself have both taken place next to Monica's feet. We can see what we're doing in the flipped LCD viewer, which explains why Laora sometimes looks at the camcorder even though I'm not behind it. I grab one foot, handling a comb in the other hand, while Laora deep-cleans Monica's sole and toes with an electric toothbrush. 

Monica's reactions are quite amusing. Indeed, there's a certain goofiness (the good kind) to her laughter and other verbal expressions in this scene. They go from mild plaintive sounds to wild outbursts. For those familiar with my older videos, to me she sounds kinda like a mix between Gamma's Marjorie and Xi's Marie-Christine. She can't do much to prevent what's causing these reactions, her partially suspended limbs swinging as she struggles in vain. I leave the shot for a brief moment, zooming in a bit before coming back with a highly effective hairbrush. 

Since I'm not free to move the camcorder around, there's a couple of instances where I place it to get a close-up of Monica's face (partially covered by her disheveled hair) while Laora and I continue messing with her feet off camera. It's nice to see her facial expressions as she produces all those funny sounds, including a fairly good imitation of a chimp (go figure). I eventually move behind the camcorder permanently, leaving Laora to do her dirty work on her own. 

To tell the truth, the fact that Monica reacted so well during this scene was a pleasant surprise to us. She didn't seem all that ticklish on her feet at the beginning of the shoot, which is the main reason why there's more upper body tickling than foot tickling in this video (the ub:ft ratio is about 2:1). I guess she just needed to get warmed up. We did need to use tools to get good results, though. 

For the finale, Laora stands over Monica (who's still cuffed to the weight bench) and digs into her sides. She easily gets her going right from the start, enjoying the sight of her struggling friend under her. The intensity of Monica's reactions varies depending on the area Laora is working on at any given moment. We get giggling and squirming when Laora hits on the ribs, then wild laughter and shaking when her fingers slide into armpit territory. This is a relatively short scene, lasting about four minutes.