IMPORTANT: The two models in the first part of this video speak English. However, the model in the second part speaks FRENCH, or at least its quaint Quebecois dialect. 

Last Laugh Yod stars two ticklees, Yumi and Valerie, plus a guest tickler, Katrina. It combines footage shot over three separate shoots. The first two shoots star Yumi, her tickler being Katrina in the first one and myself in the second one. The third shoot stars Valerie, who poses solo. I take care of the tickling for that one too. While there's a scene that focuses on foot tickling, Last Laugh Yod is mostly an upper body tickling video. 

The first ticklee of Last Laugh Yod is Yumi, aka Yumi-U. In the first scene she's teamed up with a guest model, Katrina B (Katrina for short), who serves as her tickler. By the way, unlike most of my models, Yumi and Katrina speak English. Also, I'd like to mention that Yumi-U has her own fetish website, which you can visit at: www.yumi-u.com

Truth be told, while Yumi is usually painfully ticklish on her upper body, she had a cold during this particular shoot (seems like my models are making a habit of it, as it was also the case of Karine from Last Laugh Tet, my previous video). This affected her ticklishness to some extent, or at least her verbal reactions, so the tickling action isn't as intense as it was during her second shoot. But Katrina nonetheless managed to get her going fairly well. Actually, Yumi's reactions vary quite a bit in this scene, going from light giggling to more intense outbursts. 

So anyway, Katrina is sitting in a chair with her feet propped on some kind of footrest. Yumi is sitting on top of her, her wrists tied over Katrina's head. Naturally, this fully exposes Yumi's upper body, particularly her armpits, which seem to be her worst spots. You can bet that Katrina totally takes advantage of her friend's helplessness, playing her like a cello. Her quick, nimble fingers move from Yumi's sides to her armpits. She's in total control of the situation, but she eventually wraps her legs around Yumi's to make her domination more official. 

Time for Yumi's second shoot. She's in perfect health now, and more sensitive than before. I'm in charge of the tickling this time, though I do my best to avoid appearing on camera, as usual (except for my arms, of course). The first scene of the shoot focuses almost exclusively on the feet. Yumi is actually more ticklish on her upper body, but her feet are still fairly ticklish, and it would seem a shame to overlook them entirely. 

Yumi is lying on her back on my small weight bench (I don't possess any actual weights, by the way). Her wrists are cuffed to the ends of a padded rod that I've attached where a barbell would normally go. Her ankles are cuffed to the middle part of the rod. This forces Yumi to keep her knees against her chest, with her soles facing the ceiling. A fairly restrictive position overall. 

I start by peeling off one sock and tickling her one bare foot for a few moments. The other socks soon comes off as well. At first her feet have a certain freedom of movement, as the cuffs aren't secured to the rod very strictly, though it's still pretty easy to keep up with her movements. After about three minutes the point of view changes, the camcorder filming from above. Her big toes are tied to the bench (she's not a fan of this, but she tolerates it pretty well). Her feet can still move somewhat, but not as much as before, and she can't scrunch her toes. For the most part, her reactions are moderate, with a few more intense bits when I hit a good spot. Once in a while during this scene I give Yumi a few tickles on her sides, which actually increases her laughter. But I don't do it for long because I want to keep most of the upper body tickling for the dedicated scenes that follow. 

Yumi is now in serious trouble because it's time for some upper body tickling, which is significantly worse for her than foot tickling. She's lying on the weight bench, her wrists cuffed to the ends of the same padded rod we used for her ankles in the previous scene. Her feet are restrained under the bench. As if she weren't vulnerable enough, she's wearing a top that exposes her armpits and belly. I spend the first few minutes working almost exclusively on her armpits (I tickle her sensitive ears for a few seconds as well). Her reactions are definitely more intense now compared to the previous scenes. Her laughter is louder, more continuous, and there's a touch of desperation in her voice. I try using feathers for a few moments for the fun of it, but they're not as effective as fingers. I move to her side to give her waist a taste of the aforementioned fingers. I also go back to her armpits, sometimes working in both areas simultaneously. We're still using the weight bench, but Yumi's position has changed. She's now lying on her belly, ankles cuffed to the bench's posts and her arms restrained in front of her. Whereas the previous scene concentrated on the armpits and the waist/belly, in this one I focus on her ribs and waist. At one point I make some "bzzzz!" sounds (like either electric shocks or bees, I don't know), hoping it will make the tickling even worse, somehow. I think it actually does. It gets bad enough for her that we end the shoot earlier than I had planned. Oh well, I can't really complain, it was very good while it lasted. Besides, I'm not the one who just went through that ordeal. 

The second part of Last Laugh Yod, which is rather shorter that the first one, stars new ticklee Valerie. She poses solo, so the tickling is done by yours truly. The setup in the first scene is pretty simple, even though it's a variation I've never done before. We use an old, worn comfy chair that I got cheap from my super. I've screwed a narrow wood plank into the back of the chair, serving as a kind of post to which Valerie's wrists are cuffed. That way, her arms are kept over her head. Otherwise, she's sitting pretty comfortably on the chair. Unfortunately for her, I place myself behind the chair and make things a lot less comfortable for her by digging my fingers into her armpits. She has a rather high-pitched laugh, with the occasional even-more-high-pitched squeal. She's a bit tricky to tickle, requiring me to work hard probing her weak spots, and she doesn't laugh out loud that much (she goes through some silent laughter phases). But you can see from her expression that it still tickles quite a bit. It's a pretty short scene, about 3 and a half minutes.  Valerie's second scene is still pretty straightforward as positions and tickling techniques go. She's lying on my massage table, her ankles locked in stocks and her wrists tied over her head. The table is angled so that her head is a little higher than her feet. Like the previous scene, this one's all about upper body tickling, though the emphasis is more on the waist/belly/ribs this time, with a little armpit tickling thrown in for the hell of it. I don't know if I'm doing a better job or if she's just feeling more ticklish as that point of the shoot, but I have an easier time getting regular laughter out of her than in the first scene.