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45 minutes, DVD = $25 US (shipping included)
Canadian customers ordering by mail can pay in Canadian dollars ($25 CAN)
IMPORTANT: The models in this video, like most of The Last Laugh's models, speak FRENCH, or at least its quaint Quebecois dialect. 

Last Laugh Tet combines two different shoots, for a total of five models. These shoots didn't produce as much footage as usual, so it made sense to put them together to make a full video. While all the models get tickled, the job isn't split equally. Some get tickled more than others. Also, I should mention that, with some exceptions, the tickling action in both shoots is on the moderate side. So if you're a fan of intense tickling with extremely ticklish models that go totally nuts with hyterical laughter, this video is probably isn't for you. On the other hand, if you enjoy the lighter, more playful side of tickling, you might very well find something to like, here. 

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SARA AND MARIE
Sara is the main ticklee not only of the first shoot, but also of Last Laugh Tet as a whole, as she gets tickled for far longer than any of the other models. She isn't among my most ticklish models, but she does laugh quite a bit. Just not very loudly most of the time. In the first scene, Sara is kneeling on a comfy chair, hugging one side of the backrest, her crossed ankles secured (somewhat loosely) against the side of the seat. Her friend Marie is resting on top of the chair, leaning forward so she can reach Sara's feet. Marie starts the match armed with a comb, then she switches to her fingers. After a while, she decides to go with an electric toothbrush, sitting on Sara's calves to keep those feet firmly in place. Grabbing the toes with one hand also helps. For the last minute or so, she gives Sara's feet a rest and turns her attention to the ribs and waist. 
This next scene is the only one in which Marie gets tickled. She's quite tricky to tickle. While she sometimes has outbursts that are more intense than Sara's, she's more irregular in her reactions. The tickling can go very well for a while, and then, for some reason, it doesn't work anymore for some time. To compensate for this, I edited out a good deal of her footage, the result being a decent but fairly short scene. But I guess short and interesting is better than long and boring. 

Marie's wrist and ankle cuffs are tied to part of an old wood bed that I found. I thought it would be useful as a bondage apparatus. She's resting on a mattress that's placed on top of the bed piece. Her left leg is crossed over her right. Sara, wearing a yellow Charlie Brown T-shirt, spends the first three minutes playing with Marie's feet. Since Marie is only loosely restrained, the ropes giving her some freedom of movement and even the option of kicking a bit, Sara has to fight her. But Sara prevails and doesn't have that much trouble paying Marie back for the previous scene. After about a minute she gives Marie a taste of the electric toothbrush. Since this tool requires more precision than fingers, she mostly concentrates on the right foot, which is less mobile than the left. 

The last minute involves rib and belly tickling. Sara first digs in with her fingers, then experiments with the electric toothbrush on Marie's belly. At the very end, my own hand enters the shot as it reaches for Marie's belly. 

Sara is resting on my small weight bench, legs elevated so that her ankles are propped on a padded bar that's a foot or so higher than most of her body. Her wrists are cuffed under the bench. Shoelaces pull on her big toes so that her feet are pointing to the sides. Surprisingly enough, this doesn't cause her any significant discomfort, and she tolerates it just fine for the duration of the scene. 

Although Marie works on Sara's ribs for a minute or so, she mostly focuses on her very obvious, totally helpless soles. Sara still isn't a very loud laugher overall, Marie does have her going the whole time, and her reward is further increased when she exploits Sara's weakness to electric toothbrushes, especially on the toes. She uses this tool for about half the scene, but later finds out that Sara's feet and toes are still quite sensitive to fingers when she goes back to that technique at the end. 

Marie isn't done giving Sara's feet a hard time. The latter has her ankles locked in stocks, feet close together, while her wrists are cuffed behind her back. Marie is perched on the stocks, overlooking Sara's feet. Shoes and socks quickly come off. After a minute of finger tickling, the electric brush springs into action, spending most of its scrubbing efforts on and between the toes. Marie turns around for some upper body tickling, and after a while I jump in for a minute or so, taking care of Sara's feet. I eventually let Marie finish the scene by herself as she goes back to the toes with her electric toothbrush. Once again, Sara's verbal reactions aren't especially loud (including several bouts of silent laughter), but the look on her face, as well as the way she shuts her eyes tight and throws her head back, are all signs that show that it does, in fact, really tickle. 
The situation of last scene with Sara and Marie is basically the same as the previous one, with the exception that Sara's feet are stocked apart to make it easier for me to assist Marie by taking care of one foot, which I do for most of the scene. The camera's angle is also quite different. I work on the left foot with a comb, while the right foot belongs to Marie's electric toothbrush. Some time is spent on regular finger tickling (well, I do wear a guitar pick on my index finger). To better control her foot, I pull her big toe back with a shoelace that I passed through one of the metal loops on top of the stocks. Other shoelaces are pulled between her toes for a few moments. In the end, we tease Sara some more by applying ice to her feet. I'm the first one to glide a water popsicle along her sole, then I hand it to Marie so she can have some chilly fun too. 
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CYNTHIA, MARIE-LEE AND KARINE 
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The second half of Last Laugh Tet stars a trio of friends: Cynthia, Marie-Lee and Karine. A couple of scenes are on the mild side, which is part of the reason why I decided to combine this shoot with the Sara/Marie shoot; I figured they'd work well together. However, there are parts when things get more intense, especially when Karine is on the receiving end. 

The first ticklee is Karine, easily the most ticklish member of the trio. There's a couple of things I should mention about her. First, the tickling is mostly limited to her lower torso (waist, belly, ribs), as she wasn't ticklish enough outside of that area. Second, she had a bit of a cold that day. Nothing serious, but it did affect her throat. The consequence is that sometimes, when she started laughing again after breathing in, what came out first was a sort of throaty cough-like sound, followed by normal laughter. Not ideal, but no big deal, I think. 

Anyway, in the first scene, Karine is at the mercy of Cynthia and Marie-Lee. Her ankles are locked in stocks and her wrists cuffed over her head. The action is pretty standard as tickling scenes go. Cynthia and Marie-Lee are on each side of the massage table and dig into Karine's lower torso. Some time later, Cynthia climbs on the table and sits on Karine's thighs. 

I wasn't sure what to do with the footage I got of Marie-Lee as a ticklee. That's because she doesn't actually laugh when tickled. She squirms, she makes faces, grins a lot, giggles a bit here and there, even gets a few tears in her eyes. But the laughter just won't come out. It's like she can't help but fight it or something, holding it in, even when encouraged to let herself go. Still, the tickling clearly gets to her, so I decided to use a few minutes of her footage (about three minutes, actually). She's pretty cute, and I figured some people might enjoy seeing her squirm and barely hold it in.

We've flipped a rectangular coffee table upside down and restrained Marie-Lee to it. Her arms are cuffed around two table legs while her ankles are cuffed to the other two legs so that her feet are up. Cynthia has her fingers in her sides while Karine works on her socked feet. After about a minute, Karine pulls her socks off, using her fingers and a comb on her bare soles. Later she switches to an electric toothbrush as she is joined by Cynthia. 

It's Karine-tormenting season again. This time she's lying on an ottoman, her wrist and ankles cuffed to the legs. Her upper torso and head stick out, but we later add a cushion for her comfort. She's wearing a shirt (as well as a white tie), but the girls have opened it and pulled it back to expose her sleeveless top and to have more direct access to her ribs and belly, which they tickle to the best of their ability. They've discovered that her knees are vulnerable to tickling as well, so sometimes one of them concentrates on that area while the other explores the upper body. Marie-Lee manages to use her own feet pretty well, digging her toes into Karine's ribs for over two minutes. A rather effective technique, apparently. Cynthia also gives it a try, though not nearly as long as Marie-Lee. 
The last scene is all about Cynthia. She's not quite as ticklish Karine, and not a very loud laugher, but she definitely reacts more than Marie-Lee, especially when tickled on the upper body. She's lying on a bed, ankles secured to a footboard post and he wrists cuffed away from her. Marie-Lee and Karine share the task of tickling Cynthia's upper body for more than half the scene. Unlike Karine, Cynthia is ticklish on her armpits, so the girls have a bit more surface to cover. She's also sensitive on her knees, right above the patella. Marie-Lee eventually moves to Cynthia's feet, peeling off her socks before tormenting her toes with an electric toothbrush. Cynthia isn't as ticklish on her feet as she is on her upper body, so Karine causes more damage than Marie-Lee, but Marie-Lee's efforts still serve to make Cynthia's ordeal even worse. Besides, being tickled in two different areas makes it harder for Cynthia to concentrate on the sensation, increasing the overall effect.