IMPORTANT: While the two models in the first half of the video speak English, the model in the second half, Magias, speaks French.

The piece of furniture in which I keep my TV and my DVD player is a lot bigger than it needs to be, at least when it comes to my modest TV set. So when the latter’s taken out it leaves a pretty large empty space. More than large enough to accommodate a person. This is put into practice as Jessica, who is sitting at the edge of the hole with her wrists cuffed over her head, gets tickled by her friend Jennifer, who sits in the hole. Jessica grins at the camera right before Jennifer wraps her legs around her and digs into her very vulnerable armpits and ribs. Jessica’s verbal reactions are fairly mild, but she makes up for it with very animate facial expressions. She even bites her own arm at one point. We really wanted to do a few foot tickling scenes with Jessica, but the tests we did with fingers and tools were disappointing. Fortunately, we discovered that her feet are rather sensitive to tongue and teeth tickling. Since both girls were just fine with it, we decided to dedicate the rest of the shoot to that technique. Jessica is resting face down on my weight bench, her knees bent so that her soles face the ceiling. Jennifer spends the first minute removing Jessica’s socks and teasing her feet a bit. Jessica’s big toes are then held down with leather toe cuffs, making her soles especially helpless. Then the oral tickling begins. Jessica’s reactions are fairly moderate, but the tickling definitely gets to her, and her laughter is cute and pleasant. One of Jessica's big toes has slipped out of its cuff in between scenes because we couldn’t make it tight enough without choking her toe, but we quickly fixed that with a shoelace. Otherwise there are no changes. That is, other than the fact that Jennifer is now lying on top of Jessica, her face right above Jessica’s feet. It just seemed like a neat variation. After working her tongue and teeth all over Jessica's soles for a couple of minutes, she moves her attention to the toes. Jennifer is now sitting on the floor at Jessica's feet, a position that facilitates the access to her friend’s wiggling toes. After a couple of minutes she moves to the side, basically where the whole thing started, and proceeds to give Jessica’s soles a serious tonguing. She ends the scene and the shoot by getting Jessica on the upper body.

Magias from Last Laugh Ayin is back for a second shoot, this time posing solo. Her ankles are locked in stocks, the stained wood contrasting strongly with the rainbow socks with individual toes that she’s wearing. These don’t remain intact for very long. Indeed, after tickling her socked foot for a while, I cut off the sock’s big toe with scissors, resulting in Magias’ actual big toe popping out through the hole. Naturally, I concentrate on this newcomer. Her pinky toe is also exposed. I free another toe and the heel. Also, the sole of the other sock is now gone, the toes and heel remaining covered. Both feet become more and more exposed as the scene progresses, either by cutting or tearing the socks. Near the end I pull off the socks’ remains and hang them from Magias’ toes. Since her feet tend to shake, the socks get swung around quite a bit. While I mostly use my fingers, I also use a plastic dinosaur that turned out to be very effective on Magias’ feet during the previous shoot (go figure). In case you’re curious, it’s a Stegosaurus, and it’s its dorsal plates that do the job. The scene ends as I use one sock stretched between both feet to slingshot the dinosaur out of the shot. By the way, I should mention that Magias’ laughter is very unusual. It’s of mild to moderate intensity and tends to sound like a somewhat squeaky little girl’s laughter. She can’t help it, it’s simply how she laughs when being tickled. I think it’s rather cute, actually. A close-up shot shows Magias’ shoes (with her feet in them) being off pulled from a distance through the use of a couple lengths of string attached to the heels. I can actually do it while behind the camcorder. A bit silly and pointless, I guess, but it seemed like a fun idea, for some reason. Anyway, Magias’ feet are close together in the stocks’ central holes, but she’s kind of lying on her side, so her toes are pointing to the lower left. One may notice that there’s a big plush spider sticking out of one of the empty holes. No reason, we’re just being whimsical. After the shoes come off, I tickle Magias’ feet for a couple of minutes. Then I add toe cuffs on her big toes, pulling them in different directions. One of her pinky toes is also restrained for a while. Several minutes into the scene I get a bit silly (well, sillier) and let the plush spider do the tickling. It’s somewhat effective, but I soon go back to my fingers. Oh, and I also occasionally use the same plastic dinosaur that I’ve used on Magias before, as it can give the tickling a little boost sometimes. At the end of the scene I find out that Magias’ heels are more sensitive than I thought and make good use of this discovery. This scene starts a bit silly. There’s a tiny red present bow stuck to the ball of each of Magias’ feet. In front on the bows are Magias’s glasses, which are held between her toes. Kind of like her soles are a face with a pair of red eyes with glasses. To be honest, the effect isn’t very good. Oh well, we just wanted to do something goofy. Anyway, her feet are locked in stocks close together, big toes pulled back by leather toe cuffs. In addition, her pinky toes are also tied with pieces of rope, further limiting her movements. I remove the glasses, flick the bows away, and begin the tickling. As before, I mostly use my fingers, but I get some help from the small plastic stegosaurus. After being rudely interrupted by my ringing phone (forgot to unplug it), I zoom out to get a full-body shot of Magias before going back to her feet. Her laughter still has that unusual childlike squeal quality.