  
Madria and Sophia also star in Last
Laugh Samekh, and Madria teams with with a new partner in Last
Laugh Ayin.
The first scene of Last Laugh
Nun start with a close-up of Sophia. A voice can be heard saying “I'm coming…"
It belongs to Madria, who's looking forward to what's coming up. I zoom
out to show Sofia's situation. She's sitting on an armchair that was lowered
onto its back. That way her feet are up. One can notice a number of accessories
screwed into the front of the armchair. Those are used for ankle and toe
bondage. Sophia's ankles are cuffed apart, on both sides of the seat cushion.
Her wrists are also cuffed, but otherwise they're not restrained. Of course,
in this position her hands are totally useless anyway. Madria enters the
shot and rids Sophia's feet of her socks. Then the tickling begins. Its
immediately obvious that Sophia's feet are quite ticklish. Madria enjoys
it very much, even though she's decided to adopt a somewhat serious, dominant
demeanor, like a strict school teacher or something. She even wears smart,
serious looking outfit, again kinda like a teacher. For the first three
minutes or so Sophia's feet are basically free to wiggle around. But Madria
knows how to grab a foot or pull back a big toe when she needs to. Then
we get to see Madria finishing the job of restraining Sophia's big toes,
which are now held back by leather toe cuffs. Once she's done Madria looses
no time before digging in. The toe bondage makes her job unfairly easy.
She experiments with a paintbrush for a few moments but soon goes back
to fingers for the rest of the scene. I help Madria with the tickling for
the last three minutes, much to Sophia's dismay.
   
After a quick close-up of Madria's
lovely feet and wiggling toes, I zoom out to show what situation she got
herself into. The armchair is still resting on its back. Madria is sitting
on the backrest, her back against the seat. Her wrists are cuffed over
her head to a couple of wood pieces screwed into the chair. Sophia's hands
enter the shot sneakily from above to reach Madria's armpits. For the first
couple of minutes Sophia does her evil work from above, mostly on the armpits
but sometimes reaching lower to get the belly. After that, she sits fairly
comfortably in the space between the chair's seat and Madria, wrapping
her legs around her friend. She's fully in control, tickling fast and forcing
Madria to laugh constantly. She messes with her mind, like when she makes
her say that she enjoys being tickled and has her ask for even more. Earlier
we tested Madria's feet but she didn't seem especially ticklish there.
But I give them another try, just in case. To my pleasant surprised, it
turns out that all she needed was to get warmed up (her feet were rather
cold at the beginning). Good to know. So while Sophia plays with Madria's
exposed ribs, I mess with her toes, first with my fingers, then with an
electric toothbrush, the latter being especially effective. However, I
leave her feet alone after about a minute, deciding to keep them for a
later scene. I let Sophia have some fun for several more minutes. Fortunately,
while Madria is very ticklish and suffers through this ordeal for about
eleven minutes, she's got a lot of stamina can take it....More or less.
   
Having previously made the pleasant
discovery that, after being warmed up, Madria's feet are ticklish after
all, there's no way we're not going to do something with them. We don't
bother making many changes to the previous position. The main difference
is that Madria's cuffed ankles are now held in a leg lock by Sophia. Madria
isn't as ticklish on her feet than on her upper body, but definitely enough
for a fun, playful scene. Sophia alternates between her fingers and an
electric toothbrush. Which technique is the most effective isn't clear,
but they both work just fine.
   
Sophia is leaning back on and
restrained to my weight bench, her wrists cuffed over her head and her
elbows cuffed to the sides so that she's quite incapable of protecting
her upper body. Madria is staring at her from above with a stern expression.
She's wearing a serious-looking outfit, glasses, and her hair is tied up.
This, along with Sophia's outfit, suggests a teacher-punishes-lazy-student
scenario. But aside from a few corny improvised lines here and there, it's
really just another tickling scenario without a plot or scripted dialogue
(I'm actually not a big fan of those). Still, Madria does a good job of
staying in character. She goes for the ribs a few brief times, but she
mainly focuses on the armpits. Sophia isn't as ticklish on her upper body
as on her feet, but Madria's punishment is still an ordeal for her.
   
Madria sits at one end of the
weight bench, right in front on Sophia. She drops one high heel to the
floor, removes the second one. She lifts her feet up (showing off a neat
flower tattoo on her right ankle) and digs her toes into Sophia's armpits.
Toes aren't especially dexterous, and the tickling is rather light. But
it's certainly fun to watch, and Sophia still wishes those toes would stay
clear of her armpits. Turns out she's not at all relieved when they do,
though, because things actually get worse for her when, after a couple
of minutes of tickling-with-toes, Madria goes back to her more agile fingers.
   
Sophia is off the weight
bench and is now sitting in a chair. The weight bench is still there, though,
right in front of her, supporting a padded rod to which her elevated feet
are restrained. Her wrists are cuffed to the sides of the chair, so she's
quite helpless. Madria digs into her soles with gusto. While her fingers
are her main tools, Madria adds some tongue and teeth tickling to the mix.
Sophia seems to find all these techniques equally agonizing.
   
Madria is kneeling on a chair,
facing the backrest. Her wrists are restrained to the top of the chair
while her ankles are cuffed to the edge of the seat, so her toes are pointing
down. Sophia, sitting on the floor, slips off her shoes. She teases her
soles with a feather for a few moments before letting her fingers take
over. They wiggle like hyperactive spiders all over Madria's skin. An electric
toothbrush makes a brief appearance as well. Madria laughs the whole time,
but Sophia sometimes hits a special spot or finds a special techniques
that really pushes Madria's buttons. It turns out that Madria's exposed
calves are also sensitive, so Sophia explores that area a bit from time
to time, while still mainly focusing on the feet. Madria's position allows
for some squirming, but otherwise she's quite helpless. Out of the 10 minutes
this scene lasts, a few are spent licking Madria's soles, a technique that
works quite well in this case. To allow Madria to cool down before the
shoot is complete over, Sophia ends her job as it started, teasing Madria's
toes with a feather.
   
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