  
Elie and Vynnie also star in the second
segment of Last Laugh
Feet 17
Vynnie smiles at the camera
before I zoom out to reveal her situation, which is ankles locked in stocks
and wrists cuffed to the sides of the stocks. Her friend Elie enters the
scene, pulls off her shoes, then her red and black striped socks, exposing
a pair of long, narrow feet. Elie digs in immediately. Vynnie wiggles her
feet and scrunches her toes, but Elie is well in control, following her
soles wherever they goes and sticking her fingers between those toes. Elie
soon learns to pull the toes back to increase the effect. Vynnie isn’t
a loud laugher by nature and this scene is rather mild overall. But she’s
clearly ticklish and is having a hard time handling it (her reactions increase
later in the shoot). By the way, I’d like to mention that she told me that
her friends often resort to foot tickling when they feel she deserves to
be “punished”. I wish they were here to join the fun. I’m sure Vynnie would
love that.
   
There are now two significant
differences compared to the first scene. One, her big toes are pulled back
by leather toe cuffs, severely limiting her range of motion and keeping
her soles nicely taut and vulnerable. Two, while Elie sometimes works alone,
I team up with her for a good portion of the scene, each taking care of
one foot. What’s neat about Vynnie’s feet is that, because they’re rather
long, there’s plenty of space for using all 10 fingers side by side on
the same sole. Both Elie and I take advantage of this, covering as much
sole area as possible. Coming back with a guitar pick on my finger after
changing the camcorder’s angle, I discover that the pads of Vynnie’s big
toes are very good spots to exploit. Indeed, her reactions increase noticeably
when I start scratching one with my pick. Elie also seems to be getting
better, much to Vynnie’s chagrin. In between bouts of laughter the latter
tells us that’s she’s nearly drooling over herself. We eventually give
her a short break as she tells us that she’s going to call her mom for
help. But her respite is short-lived, and Elie soon digs in with increased
vigor, her teasing fingers moving faster than ever. I don’t know if Vynnie
has become more ticklish or if we’re just getting better at pushing her
buttons, but she’s clearly laughing more heartily than before under Elie’s
new assault, even when I’m not helping out. It’s worth pointing out that
we’ve done some decorating during the little break, having dropped Vynnie’s
socks on top of the stocks and hung her shoes next to her right foot. What
can I say, Elie is very proud of her trophies and likes to show them off
while she works. She’s doing such a good job that I spend some time just
operating the camcorder, enjoying her performance. In the end I come back
to help once more, tickling with one hand and holding the camcorder with
the other.
   
Unfortunately for Elie, it’s
her turn to be locked in the stocks. She’s resting sideways, her wrists
cuffed to the massage table’s backrest. Because of this her feet are oriented
somewhat diagonally, toes pointing to the lower left. After removing Elie’s
shoes, Vynnie partially peels off one sock, just enough to expose the heel,
and she starts tickling, both on the bare heel and the still-covered sole.
The sock eventually comes off completely for some more tickling. Later,
Vynnie exposes the second heel, but this time she slides a buzzing electric
toothbrush down the sock, reaching the toes. After getting rid of the second
sock she continues using the toothbrush for a few moments before switching
to her fingers for most of the rest of the scene, although she does experiment
with a comb for a while. Once in a while Elie lets out a cute little squeak.
After a bit more than 5 minutes, the annoying and unwelcome ring of my
phone marks the end of the scene.
   
Still resting on her side, Elie
now has her big toes pulled towards the lower left with leather toe cuffs,
the same that were used on Vynnie a couple scenes ago. Another similarity
with Vynnie’s turn in the stocks is that one of Elie’s sneakers hangs from
the stocks next to her bare feet. Vynnie is kneeling on the table, overlooking
Elie’s helpless feet so she can tickle them from above. She mostly uses
her fingers but she adds the electric toothbrush for a couple minutes.
I lend a hand at one point, but only for 30 seconds or so.
   
Preparing Elie for this upper
body tickling scene was very easy. All we did was add a cuff above her
left elbow and tied it over her. This totally exposes her left flank and
armpit. I’m happy to say that this neat little variation was the models’
idea. It’s always nice when models contribute in this way. Naturally, Vynnie
mostly concentrates on Elie’s left side. But she also reaches under her
to get her right side too from time to time. She asks her to say that she
likes being tickled and to beg for more. The answers she gets are contradictory
at best. I contribute for a bit more than half a minute by adding some
foot tickling to Elie’s ordeal.
   
One interesting side effect
of having cuffed Elie’s elbow over her head is that her ankles are now
crossed, as opposed to the side-by-side position her feet were in previously.
When I noticed this I thought it was neat and decided to shoot an additional
feet-in-stocks tickling scene. Elie wonders out loud what she did to deserve
all this. Vynnie answers that it’s because she’s a blonde. D’OH! Elie replies
that Vynnie is a blonde too. The fact that it’s neither girl’s natural
color (as far as I can tell) doesn’t seem to matter. Vynnie uses her fingers
for the first half of the scene, then switches to the dreaded electric
toothbrush, which results in a noticeable increase in Elie’s laughter.
When it’s finally over, Elie sticks her tongue out at Vynnie, apparently
in response to a similar off-camera gesture.
   
We’ve placed a table with folding
legs on its side. Then we placed Vynnie on her side too and cuffed her
wrists and ankles to all four table legs. That way she’s got one leg slightly
elevated, and one of her arms is held over her head. There’s plenty of
space behind her for Elie to fit comfortably while she practices her upper
body tickling skills. Vynnie’s left side is better exposed, but Elie sometimes
reaches for the right side as well. Also, while Elie mostly focuses on
the belly and ribs, she reaches for the armpits from time to time. She’s
barely started tickling that Vynnie declares that she’s drooling and forgets
to swallow sometimes. That’s….interesting. Thanks for sharing it. After
about 5 minutes I ask Elie to wrap her legs around her friend. Not only
does it add to the image of total control she has over Vynnie (which she’s
had right from the start, to tell the truth), it also forces her to hug
Vynnie more closely as she works her magic, which is a nice touch. She
also starts tickling with even more vigor. This translates into more laughter.
In fact, I believe Vynnie can be heard saying “I submit!” at one point.
   
The table is now upside down,
flat on the floor. Elie’s on her belly, knees bent and feet facing up,
ankles tied to the legs of the table. Her wrists are tied to the other
legs, forcing her to arch her back. But that’s ok, her torso is resting
on a board and a pillow, so it’s not all that strenuous. Vynnie starts
with the feet, which can’t move around too much because the big toes are
pulled back with shoelaces. After a couple of minutes Vynnie straddles
Elie and digs into her ribs and armpits. A minute later I enter the scene
to take care of Elie’s feet with my fingers and a comb while Vynnie goes
on with the upper body tickling. Eventually, I move the camcorder so as
to shoot the feet from above. Vynnie and I each take a foot, much to Elie’s
dismay. I later leave Vynnie to continue the job alone as she clicks on
the electric toothbrush. She finishes Elie off by going back to the upper
body. I help out with the feet again for a few moments.
   
Vynnie’s position is the reverse
of Elie’s in the previous scene. She’s sitting on the upside down table
with her ankles cuffed to the horizontal bar between two of the table’s
legs. Her big toes are also tied to the legs. She’s leaning against a board
and pillow for more comfort and grabs the table’s other horizontal bar,
her wrists cuffed to it. Elie is kneeling between Vynnie’s legs, ready
for a final foot tickling assault. Soon after the action starts Vynnie
playfully insults Elie, basically calling her ugly. Elie threatens her
with even more tickling. Vynnie counters by pointing out that she can crush
her between her legs. But Elie doesn’t seem to care. Vynnie sees that threats
won’t work, so she relents, telling Elie “Alright, I get it! You’re beautiful
and really nice!” But Elie still doesn’t stop, far from it. Realizing she
can’t win, Vynnie calls Elie ugly again. Elie uses an electric toothbrush
for a while, but mostly relies on her fingers to do the job. I join in
for a minute or so, using a guitar pick to really dig in. Vynnie declares
that she hates us and is going to kill us both, but Elie doesn’t believe
her for a second. I point out that, unfortunately for Vynnie, this is the
last scene of the shoot, so she won’t be able to get her revenge on Elie
for what she’s doing to her right now. She says that it’s not a problem,
she has other ways of getting even, including punching the lights out of
Elie. That doesn’t stop the tickling, though. Noticing how vulnerable Vynnie’s
armpits are in this position, I ask Elie to finish the scene by concentrating
on that area. That doesn’t mean that Vynnie’s feet get a break, though,
because I can easily take care of them myself.
   
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