IMPORTANT: The models in this video, like most of The Last Laugh's models, speak FRENCH, or at least its quaint Quebecois dialect. 

Clause and Myllia also star in the first segment of Last Laugh Feet 17

It has been decided that Clause gets to be the first ticklee. She's locked in stocks in a standard position, ankles slightly apart and wrists cuffed behind the stocks. Myllia sits comfortably in front of her. Sneakers and socks soon come off, revealing Clause's cute and very vulnerable size 6 feet. Myllia digs right in. Her technique is still a bit crude at this point of the shoot, but Clause is quite ticklish, so she still gets good results. Clause has a tendency to enter "silent laughter" mode, though. For the last part of the scene, her big toes are restrained. Rather than the usual shoelaces, this time we use special leather toe cuffs, basically tiny little belts complete with metal buckles. I've used them a few times now, and they tend to be more comfortable for the ticklee. Myllia, now on the table, overlooks Clause's helpless feet and attacks them from above. Clause, as limited as she is in her position, won't take it without a fight. She tries her best to bump her head against Myllia's back and to bite her (gentle, friendly bites, of course). She even tries to pull off Myllia's socks with her teeth, and nearly succeeds. Overall, it's not a super intense tickling scene, but it's quite enjoyable. These girls truly have a great rapport. 

Ankles still in stocks but her arms tied over her head as she lies on her back, Clause awaits her fate with apprehension. With good reason, too, because while she's ticklish enough on her feet, she's worse on her upper body. Myllia gets her going very easily. The fact that even her elbows are cuffed to the sides of the table sure doesn't help Clause's situation, preventing any effort to bring her arms together. In retrospect, I probably should have asked her to spend more time on the armpits. She gets very good results when she tickles there. But they do feel the wrath of Myllia's fingers, and the ribs and belly doubly so. Myllia also teases her friend by blowing raspberries on her tender belly. Clause warns her that she's next, but this does nothing to lessen Myllia's efforts. She knows full well that Clause is going to tickle her to the best of her ability when it's her turn, regardless of the intensity of the tickling that's taking place right now. The tables are turned. Myllia finds herself restrained in the same position as Clause before her, wearing a top that exposes her armpits and belly. Clause teases her by pinching her nose. She follows up with several minutes of tickling on Myllia's belly, waist, ribs, armpits, neck…. Well, pretty much the entire upper body, really. After a couple of minutes, Myllia calls out to her mom so she can come and get her. Or her dad. Or anyone else, for that matter. Even I would be suitable, apparently. Of course, I've no intention of doing so. She tells Clause that she hates her, to which Clause replies "I love you too!" Clause eventually take place over Myllia's head for easy access to her armpits. In fact, the last two minutes are spent almost exclusively in the armpit area. Myllia tries to fight back with her wiggling fingers. Near the end, she claims that her armpits are burning a bit. Sure enough, one can notice that her skin has developed a reddish hue in that area. But that's ok, she's just fine and can take it for at least another minute. She does, however, promise Clause that she'll do anything she wants if she stops. Clause is glad to hear it, especially since it's now on tape, but she continues to torment her anyway. In this scene, we try an approach that I haven't used in one of my videos for a very long time. As you may have noticed, my stocks have four holes. Mostly it's to allow for a variety of different positions with one ticklee, but once in a while two models get locked in them at the same time. Myllia is lying on her back with her ankles trapped in the middle holes. Clause is on top of her, facing her, her ankles in the side holes. Their hands are totally free, so naturally they get into an upper body tickling fight, unable to move away from each other. As is normal for this kind of situation, the action is as much wrestling as it is tickling, the girls being able to protect themselves and having some trouble getting through each other's defenses. So it's not always high intensity tickling. But it's a lot of fun of watch, and they do manage to get each other pretty good at times. To spice things up, I take the liberty of tickling their feet. What's really nice is that at this point of the shoot, Clause is clearly more foot ticklish than she was before (or maybe I'm better at it, I don't know). Myllia's feet are also sensitive, though not quite as much as Clause's. There's nothing they can do about it, so they endure it while they continue their upper body tickling tango, each girl effectively getting tickled in two places at the same time. At one point I focus the camcorder on all four soles so as to get a closer view of what I'm doing to their helpless feet. Sometimes I alternate targets, at other times I tickle both girls' feet simultaneously, It's pretty amusing to hear how their laughter changes as I move from one foot to the other. At the very end, I do an quick experiment with a feather. To my pleasant surprise, it turns out that it works quite well on Clause's feet and toes. I make good note of it for the second half of the scene.  The situation is almost exactly the same as before, except that the girls have switched places, Myllia now on top of Clause. At first they still have the perfectly natural reflex of grabbing each other's arms to lessen the amount of tickling they receive, but in time they get more aggressive and find ways of piercing each other's defenses. Myllia even manages to get a belly raspberry through. They try to distract each other in silly ways, Clause even pointing to the side, claiming that she just saw some hippopotamuses flying by. While they do a good job by themselves, things get a bit more chaotic about 3 minutes into this part of the scene when I use what I learned earlier and start teasing their feet with a couple of feathers. Normally I wouldn't expect this to have much of an effect, but in this case it does seem to add to the girls' ordeal in a noticeable way. It gets even worse for them later on when I shoot their feet in close-up again, now using my fingers to dig into their soles. This is especially bad for Clause, but it really gets to Myllia as well. What's great, though, is that they don't let this stop them from tickling each other in any way.  Clause is on the floor, her hands cuffed in her back. Her legs are elevated, her ankles restrained to the backrest of my weight bench. This isn't done is a perfectly secure way, so Myllia sometimes finds it best to hold on to the rope between the ankle cuffs to keep Clause's feet more still. But she finds it easy enough to do the job with one hand when needed. For the first two minutes she sits on the bench and concentrates on Clause's soles, which are facing her. All Clause can do is squirm and threaten Myllia's life. For the next four minutes, Myllia turns her attention to Clause's ribs. She uses her fingers for a while, but most of the time she digs into those ribs with her own toes, which Clause finds most distressing. Myllia is sitting on a faux leather folding chair, facing it. Her wrists are restrained the backrest and her legs are passed through the spaces between the seat and the straps on either side of it, limiting her movements. Clause is sitting right behind her. Now, Clause's technique is a bit too chaotic and all over the place to be called serious tickling (it's more like frantic teasing), and Myllia's reactions aren't so much laughter as a combination of yelps, grunts and "Aaaahhh! Aaaaah!" (but no screaming). But it does tickle, there's no doubt about it. The chair is quite light, so it tends to move and jump as Myllia struggles. Eventually, after about two minutes, the chair starts tipping over, and Clause makes no effort to prevent it. Rather, she controls the fall, making sure Myllia doesn't injure herself. The latter ends up on her back, still attached to the chair on top of her. It's quite an amusing position, and Clause finds it very convenient for tickling Myllia's upper body, since Myllia has a really hard time pulling her legs free, and her hands are helpless anyway.