Last Laugh Ayin

Please note: these models speak French

Last Laugh Ayin-1

Madria, from Last Laugh Nun and Samekh, is back for one last video. This time she has a new partner, Magias (which I believe means "magic" in Spanish), who endures most of the tickling. While it's not made that obvious during the shoot, Magias' style is a bit on the marginal side, including fiery red hair. She's on her back on my massage table, ankles locked in stocks and wrists cuffed at the other end, the table angled so that her head is slightly lower than her feet. Last Laugh Ayin is mostly about foot tickling, but this first scene is the exception, being all about the upper body. Madria climbs on the table and, right from the start, asks Magias if she likes to be tickled. Magias nervously answers "yes", knowing full well she's going to get it no matter what her answer is. Madria concentrates almost exclusively on Magias' helplessly exposed armpits, drawing cute, child-like giggles from her. I help out on one side for a few moments, but Madria does just fine on her own, so I soon leave Magias at her mercy. And that's not good at all for Magias.

Last Laugh Ayin-2

We decide to give Magias a break after her first experience as a ticklee. But we'll most definitely go back to her, particularly her feet. In the meantime, she learns how fun tickling another helpless person can be. Madria is locked in stocks, leaning on her side. Her feet are close together in the stocks' middle holes, but they can't protect each other because her big toes are pulled in different directions by the leather toe cuffs she's wearing. Both toes are generally pulled to the left (our left), but the pieces of rope attached to the cuffs pulls her right big toe a bit upwards and the other one downwards. That way both soles can easily be reached without the tickling hands getting in each other's way. That's a good thing because it was decided that I would contribute to the tickling more than usual during this shoot, so most of the time Magias and myself work on Madria's feet as a team. The down side of this is that since I'm busy tickling I can't operate the camcorder, and the shots aren't always perfect. On the other hand, my contribution helps increase Madria's reactions in a significant way, which isn't a bad thing at all. Both fingers and combs are used in this scene.

Last Laugh Ayin-3

For Madria's last scene as the ticklee she's once again locked in stocks, but in a more upright position, toes up, her feet close to each other but incapable of moving very much for reasons of toe bondage. Magias works solo from time to time, but more often than not I help her out by taking care of one foot while she concentrates on the other. It seems our approach has more success when we focus on the toes (like under them, at the toe stem). A guitar pick compensates for my short nails. The sawing motion of a comb is also useful. While this clip is mostly about foot tickling (like most of the shoot), at one point I have Magias practice her skills on Madria's belly and ribs. She also finds some weak spots behind her knees. Eventually both Magias and I go back to the feet, where we remain for the rest of the scene.

Last Laugh Ayin-4

At Madria's suggestion, the girls are now wearing simple outfits that suggest the 80s. Starting now, Magias is the ticklee for the rest of the shoot, and she mostly gets it on her feet. She's resting face down on my weight bench, her wrists cuffed close to her face. The way the leg piece of the bench is designed, she can bend her knees completely so that they're pointing to the floor. This means that her feet are kept close to her butt, resting on the bench's thigh cushions, soles facing straight to the ceiling. I like to think of this as the "motorcycle" position. Not only are her ankles cuffed to the cushion part, her big toes are also held down with leather toe cuffs. Her feet squirm, and she can wiggle her toes, but otherwise her soles are fully exposed and helpless. Madria sits, well, basically on Magias' butt, facing her "victim's" feet. Indeed, this position makes them particularly easy to tickle. Madria doesn't hesitate to mess with her toes as well. I get several close-up shots of Magias' soles during this scene. The position doesn't allow me to get many shots of her laughing face, but I do get some, from time to time. I should point out that she's not outrageously ticklish, being more on the moderate side, but I personally think her child-like giggles are delightful.

Last Laugh Ayin-5

Madria takes off one of her own shoes so she can use her toes to tickle Magias' feet. I didn't expect it to work very well, but I'm pleasantly surprised to see that Madria actually gets good results using this technique. Nearly as good as with her fingers, anyway. After about a minute she switches back to fingers and reaches behind her so she can use one hand on Magias' upper body while keeping the other one on the feet. She eventually does a 180 so she can concentrate on Magias' waist and armpits while my own hands appear in the shot to take care of Magias' feet. My contribution is more easily seen, since Madria has her back to the camcorder, but you still get the feeling of a ticklee getting it in two different areas from two ticklers. Finally, I zoom in on Magias' soles so we can better see what's going as Madria and I team up on that area.

Last Laugh Ayin-6

We're still using the weight bench, but Magias' position is now completely different. She lies on her back with her legs in the air, knees bent, her ankles restrained to a padded bar that's placed where a barbell would usually be hanging. That way her soles are facing up. Toe cuffs further limit her movements. Her wrists are loosely restrained between her ankles, and she often grasps the bar as she endures the tickling. This is a rather bunched up, awkward position for her, but she tolerates it quite well. I have to say that it makes it rather hard for me to find a good angle for fitting all the elements I want in the same shot. Sometimes I have to hold the legs of the camcorder's tripod so I can film from above. But I manage ok enough, I think. Anyway, Madria spends long minutes tickling Magias' helpless feet, drawing cute giggles from her. I help out a little bit, but the tickling is mostly Madria's job for now.

Last Laugh Ayin-7

The same scene continues, expect that I contribute to the ticking a lot more, and I get different angles than before. Because I'm not often behind the camcorder and don't always know exactly what's in the shot, the picture isn't always very well centered durign this scene. Thing is, I moved the camcorder so that Madria would be more visible, but I ended up cutting out part of one of Magias' feet (the one I work on myself). Sorry about that. But it's not that bad, and on the up side, after about a minute we make a totally random discovery when we find out that the best tool to use on Magias' feet are little plastic dinosaurs that I had handy for another type of shoot. Magias' laughter increases quite noticeably when we start using the little guys (or girls, who knows?) I especially like the dorsal plates of a stegosaurus, though any dinosaur's tail works quite well too. Same for a pteranodon's wing. I hand Madria a couple of dinosaurs so she can try them too, and I wedge a few between Magias' toes. Magias has handled all the tickling pretty well so far in the shoot, but after a while with the dinosaurs she actually asks us repeatedly to stop. We don't, but it's pretty clear that it's really getting to her now. Even when we drop the plastic accessories her reactions seem more intense than before.